Think SIGGRAPH ‘s all about far-out design concepts? Reconsider. A crew from the Tokyo Metropolitan University IDEEA Lab was to be had here on the show’s experimental wing showcasing a brand new “musical interface,” one that’s highly tactile and darn near impossible to stroll clear of. Upon first glance, it reminded us most of Yamaha’s Tenori-On , however the “universal input / output box” is really far deeper and somewhat more interactive in use. A grand total of 16 solenoids are loaded in, and each certainly one of ‘em are loaded up with sensors.
Users can tap any button to create a downbeat (backstage, a sequencer flips to “on”), with the intention to rise in unison with the music until you tap it yet again to settle it (and in turn, eliminate said beat). You could grab hold of a peg for you to sustain a given note until you let it loose. There is a few pitch / tone buttons that serve another purpose — person who we’re sure you could guess by their names. Those are able to spinning left and right, with pitch shifting and speeds increasing / decreasing together with your movements. The training curve here’s practically nonexistent, and while folks on the booth had no hard information about an on-sale date, they confirmed to us that hawking it truly is most definitely at the roadmap… somewhere. Head on past the break to your daily (video) dose of cacophony.
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